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Helpful tips from a Harvard writers conference (Livia Blackburn's blog, A Brain Scientist's Take on Writing) The Storytellers Summit blog . Kevin Kerrane and Ben Yagoda The Elements of Story: Field Notes on Nonfiction Writing, by Francis Flaherty (excellent short takes on the architecture, bones, & tendrils of story and character development, especially for journalism) Follow the Story: How to Write Successful Nonfiction by James Stewart To Show and to Tell: The Craft of Literary Nonfiction by Phillip Lopate Imaginative Writing: The Elements of Craft, by Janet Burroway Now Write!You can watch videos of great talks from this conference held at the University of Florida in 2010: Roy Peter Clark, Andrea Billups, David Finkel, Ellis Amburn, Lane De Gregory, Keith Sykes & Tom Corcoran, Liz Balmaseda & Fabiola Santiago, Tom French, and three biographers: John Capouya, William Mc Keen & Ellis Amburn. With humor and aplomb, he recalls anecdotes about how he approached a story: from interviewing and reporting to drafting and revising, to working with editors and publishers . Nonfiction: Memoir, Journalism and Creative Nonfiction Exercises from Today's Best Writers ed.(Andrea Pitzer, Nieman Storyboard, 2-22-10) Creative Nonfiction Writers Conference (this link changes often--just google the name of the conference, if this one doesn't work) Learning to Listen (Gina Kolata interviews Rita Charon on narrative medicine program at Columbia, NY Times, 12-29-09) See also Writers conferences, workshops, and other learning places (a separate page on Writers and Editors) You can find further recorded talks from many of these conferences by doing an online search using the names of the conferences. Early on she talks about Frank Sinatra Has a Cold" being the best profile piece ever, because of Talese's reporting.Nieman Narrative Conference Three threats to narrative journalism that New York Times editor Bill Killer is not buying (Beth Macy, 4-27-10, reporting on Keller's talk at Nieman Narrative conference) Tips from Nieman Narrative: What Works for Readers, Editors & Sources (Bill Kirtz, Poynter) Nieman Narrations: Tips and Tales from Top Storytellers (Bill Kirtz, Poynter, 3-17-08) Tips and Tales from Some of the Best in the Business (Bll Kirtz on Nieman 2006, 11-20-06, updated 3-3-11) Mayborn Literary Nonfiction Conference(Grapevine, Texas, July) As experienced by Sam Eifling and described in I Heard It While in Grapevine (Columbia Journalism Review, 7-28-09) Mark Bowden on the value of beginners mind. Again, the importance of outlines (Talese's is shown) and the building of tension in the story, collecting fly-on-the-wall details ("Harlan Ellison's boots") by tracking down Harlan Ellison the next day and questioning him about the fight scene.Susan also posted: Star-Tribs Laurie Hertzel at #BUNarrative: Write with a camera angle (on E-byline's The News Hook, 4-9-13) And here's a story about one keynote talk at the conference (also with video: Dean Starkman on the Confidence Game , in which he emphasizes that story is not everything; in the story about Enron, for example, journalists should have been thinking more about the numbers. Power of Narrative Conference 2013 Tips from Power of Narrative Conference 2013, in Boston Star-Tribs Laurie Hertzel at #BUNarrative: Write with a camera angle 10 Highlights from #BUNarrative (Susan Johnston, The Urban Muse, 4-10-13).Plus a bit about Barney Frank asking why the press has become so negative and adversarial. Avoiding story killers, finding genius moves with NYTs OLeary at #BUNarrative (Susan Johnston, The News Hook, E-byline, 4-9-13) More reports and stories from various conferences Mary Karr on truth: the least of my problems as a memoirist, as a writer, is getting my facts right (Mary Karr at the Mayborn Literary Nonfiction Conference, 2010, as posted on Nieman Storyboard) Narrative tips for nonfiction writers: more from the 2010 Mayborn Conference (Tom Huang, Nieman Storyboard, 7-28-10) From research to story.With narrative nonfiction you don't present the main point in the first paragraphcompelling narrative keeps the reader reading to find out what happens, and the journey to the epiphany is half the point.Narrative nonfiction--joining good research with compelling, character-driven storytelling--reads like a novel.
Cousin of the now-suspended Nieman Narrative Nonfiction conference. Here's one participant's reports: 10 Highlights from #BUNarrative (Susan Johnston, The Urban Muse, 4-10-13).Don’t know when to shut down, sleep or hibernate your PC or Mac laptop? We cover all the pros and cons of the different ways you can give your laptop a well-deserved rest, and show you when to choose one option over the others.Bloatware, junkware, or apps you've just plain forgotten about: we show you in simple steps how to free your PC from all that gunk to rescue disk space, speed up boot-times and just generally get a smoother ride.Andrea Pitzer's Nieman Storyboard report from the Mayborn Literary Nonfiction Conference. On the Atavist's app, another indication that the longform article "isn't only alive, it's actually dancing to new music." "You can't do original reporting by scraping the Internet." She talks about venues for longform stories, perfect for electronic devices and immersive, in-depth storytelling you can read or listen to on commutes.Bowden is the author of Black Hawk Down: A Story of Modern War Narrative tips for nonfiction writers: more from the 2010 Mayborn Conference (Tom Huang, 7-28-10) Colin Harrison and Sam Gwynne on the editor-writer partnership, going deep and the difference between a subject and a story Boston University (BUniverse) talks on narrative nonfiction, many of them from the 2012 Narrative Arc conference (videotapes): Gay Talese, on hanging around and becoming close to strangers, so they are less strange (among things that worked for him: good manners and appearance, so they become comfortable with you==the son of a tailor, he dressed well), on being in a business that tries to tell the truth, on learning his narrative skills from reading fiction, on shirtboard notations (minute 23, the things he makes notes on), on verifying that what they say is what they mean, on leaving the Times to write for Esquire ("I was a master of the minor character"). "These articles really do change the world"--for example, Alan Schwarz's pieces on the dangers of concussions from football, published while the NFL was till in denial, before they were forced to do something about the consequences.
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